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Entry tags:
- jjba: battle tendency,
- jjba: c: avdol,
- jjba: c: caesar,
- jjba: c: erina,
- jjba: c: f.f.,
- jjba: c: fugo,
- jjba: c: giorno,
- jjba: c: hermes,
- jjba: c: jolyne,
- jjba: c: jonathan,
- jjba: c: joseph,
- jjba: c: kakyoin,
- jjba: c: koichi,
- jjba: c: mista,
- jjba: c: polnareff,
- jjba: c: rohan,
- jjba: c: speedwagon,
- jjba: c: suzie q,
- jjba: c: yukako,
- jjba: diamond is unbreakable,
- jjba: p: caesar/joseph/suzie q,
- jjba: p: f.f./hermes/jolyne,
- jjba: p: koichi/rohan/yukako,
- jjba: phantom blood,
- jjba: stardust crusaders,
- jjba: stone ocean,
- jjba: vento aureo
Go On As Three
Title: Go On As Three
Fandom: JoJo's Bizarre Adventure: Phantom Blood + Battle Tendency + Stardust Crusaders + Diamond Is Unbreakable + Vento Aureo + Stone Ocean
Character(s): Speedwagon, Jonathan, Erina, Joseph, Suzie Q, Caesar, Polnareff, Avdol, Kakyoin, Rohan, Koichi, Yukako, Giorno, Mista, Fugo, Jolyne, Hermes, F.F.
Pairing(s): Speedwagon/Jonathan/Erina, Joseph/Suzie Q/Caesar, Avdol/Polnareff/Kakyoin, Rohan/Koichi/Yukako, Giorno/Mista/Fugo, Jolyne/Hermes/F.F.
Genre: Fluff
Word Count: 730
Rating: PG-13
Warnings: None
Summary: In the absolute best of all possible worlds, things work out between the three of them.
Notes: I did not forget to post this.
Erina loves Jonathan, and Speedwagon loves Jonathan, and Jonathan loves Erina and Speedwagon, and Speedwagon loves that Erina loves Jonathan because Erina makes Jonathan light up like the sun, and Erina loves that Speedwagon loves Jonathan because Speedwagon can protect Jonathan like she can’t. Jonathan loves that they love that, because it makes it so much easier to hold them both with one arm each when they’re in private.
Because it’s the time and place that it is, Erina and Jonathan are married, and if there are whispers that Speedwagon spends too much time around the wedded couple, stays the night too often, none of them give them any mind. It’s not anyone else’s business what makes them happy if they aren’t hurting anyone else.
Joseph loves like the sun, brilliantly and with a gravity that draws other people in and leaves them with no hope of escape. Caesar isn’t surprised that he’s not the only one sucked in, but it does surprise him when Suzie Q tells him that she’d like to team up with him. Then the next week it’s her teaming up with Joseph, and so he has to make the offer to Joseph just to even things out, and by then they’re in a continuing relationship and it’s too late.
She and Joseph marry because it seems more logical, but to their closest friends they’ll admit that Caesar is more than just an add-on, but a full part. Triangles are some of the stablest shapes, they say. And really, who else can tell them no and have them listen? They’ve dealt with ancient vampires, who’s scared of the police? Not them.
Polnareff has enough love for everyone if they would only return it. Avdol is unsure, too jaded in these matters to advance without some pushing, and so it’s Kakyoin who tells him that if they die or if they live, it’s better to have done so satisfied. If he won’t move, then Kakyoin will.
Polnareff grabs them both and tells them not to fight, and even though that wasn’t at all what was happening, they don’t mind this ‘compromise’ so much. Joseph and Jotaro invest in earplugs at the next available opportunity, while Avdol and Kakyoin pretend not to notice.
Koichi’s love is dedicated, slow to grow but impossible to remove once it’s taken root. His love is quiet but sure, not at all like the overbearing love that comes from Yukako or Rohan. It’s a fragile thing, the three of them, but none of them know how else all three of them can live.
It’s good to learn to share, anyway, to learn that if Koichi’s world doesn’t always revolve around them all the time, it doesn’t mean he loves them any less. One more person exists who Rohan can be bothered to care about. To fill in the empty parts of living she’d tried to fill just with Koichi, Yukako picks up art.
Giorno loves with a quiet intensity, not prone to large and overt displays of affection but solid and real and likely to punch someone with Gold Experience Requiem for messing too much with Mista or Fugo. Fugo’s love is the kind that makes sure you want for nothing; Mista’s, the kind that knows instinctively what you want.
They are close, now that the old wounds between them have healed, close enough to come to each other’s defense when it’s needed and let them fight their own battles when they need that instead. They are never truly far from each other, even when their missions send them across long distances. They are happy.
Jolyne thinks love is a feeling you can’t explain, no matter how hard you try. Hermes thinks love is the feeling that makes you want to come home to somebody. F.F. thinks love is the domain of the sentient, and that it’s beautiful.
Whatever love really is, it’s found in the way they wake in tangles of limbs and halfheartedly argue over who has to get up first and make breakfast, the way F.F. likes their food to be bizarre by human standards and Jolyne and Hermes don’t even bat an eyelash while they’re ordering for them at a restaurant, the way that furniture breaks and they get caught in the rain and checks come that they can barely pay, but still they call everything perfect.
Fandom: JoJo's Bizarre Adventure: Phantom Blood + Battle Tendency + Stardust Crusaders + Diamond Is Unbreakable + Vento Aureo + Stone Ocean
Character(s): Speedwagon, Jonathan, Erina, Joseph, Suzie Q, Caesar, Polnareff, Avdol, Kakyoin, Rohan, Koichi, Yukako, Giorno, Mista, Fugo, Jolyne, Hermes, F.F.
Pairing(s): Speedwagon/Jonathan/Erina, Joseph/Suzie Q/Caesar, Avdol/Polnareff/Kakyoin, Rohan/Koichi/Yukako, Giorno/Mista/Fugo, Jolyne/Hermes/F.F.
Genre: Fluff
Word Count: 730
Rating: PG-13
Warnings: None
Summary: In the absolute best of all possible worlds, things work out between the three of them.
Notes: I did not forget to post this.
Erina loves Jonathan, and Speedwagon loves Jonathan, and Jonathan loves Erina and Speedwagon, and Speedwagon loves that Erina loves Jonathan because Erina makes Jonathan light up like the sun, and Erina loves that Speedwagon loves Jonathan because Speedwagon can protect Jonathan like she can’t. Jonathan loves that they love that, because it makes it so much easier to hold them both with one arm each when they’re in private.
Because it’s the time and place that it is, Erina and Jonathan are married, and if there are whispers that Speedwagon spends too much time around the wedded couple, stays the night too often, none of them give them any mind. It’s not anyone else’s business what makes them happy if they aren’t hurting anyone else.
Joseph loves like the sun, brilliantly and with a gravity that draws other people in and leaves them with no hope of escape. Caesar isn’t surprised that he’s not the only one sucked in, but it does surprise him when Suzie Q tells him that she’d like to team up with him. Then the next week it’s her teaming up with Joseph, and so he has to make the offer to Joseph just to even things out, and by then they’re in a continuing relationship and it’s too late.
She and Joseph marry because it seems more logical, but to their closest friends they’ll admit that Caesar is more than just an add-on, but a full part. Triangles are some of the stablest shapes, they say. And really, who else can tell them no and have them listen? They’ve dealt with ancient vampires, who’s scared of the police? Not them.
Polnareff has enough love for everyone if they would only return it. Avdol is unsure, too jaded in these matters to advance without some pushing, and so it’s Kakyoin who tells him that if they die or if they live, it’s better to have done so satisfied. If he won’t move, then Kakyoin will.
Polnareff grabs them both and tells them not to fight, and even though that wasn’t at all what was happening, they don’t mind this ‘compromise’ so much. Joseph and Jotaro invest in earplugs at the next available opportunity, while Avdol and Kakyoin pretend not to notice.
Koichi’s love is dedicated, slow to grow but impossible to remove once it’s taken root. His love is quiet but sure, not at all like the overbearing love that comes from Yukako or Rohan. It’s a fragile thing, the three of them, but none of them know how else all three of them can live.
It’s good to learn to share, anyway, to learn that if Koichi’s world doesn’t always revolve around them all the time, it doesn’t mean he loves them any less. One more person exists who Rohan can be bothered to care about. To fill in the empty parts of living she’d tried to fill just with Koichi, Yukako picks up art.
Giorno loves with a quiet intensity, not prone to large and overt displays of affection but solid and real and likely to punch someone with Gold Experience Requiem for messing too much with Mista or Fugo. Fugo’s love is the kind that makes sure you want for nothing; Mista’s, the kind that knows instinctively what you want.
They are close, now that the old wounds between them have healed, close enough to come to each other’s defense when it’s needed and let them fight their own battles when they need that instead. They are never truly far from each other, even when their missions send them across long distances. They are happy.
Jolyne thinks love is a feeling you can’t explain, no matter how hard you try. Hermes thinks love is the feeling that makes you want to come home to somebody. F.F. thinks love is the domain of the sentient, and that it’s beautiful.
Whatever love really is, it’s found in the way they wake in tangles of limbs and halfheartedly argue over who has to get up first and make breakfast, the way F.F. likes their food to be bizarre by human standards and Jolyne and Hermes don’t even bat an eyelash while they’re ordering for them at a restaurant, the way that furniture breaks and they get caught in the rain and checks come that they can barely pay, but still they call everything perfect.